Aronia
ARONIA
As in the previous work Ailanto the goal is to force an instrument with virtually infinite possibilities into a net generated by tropos and cultural expectations. Potentially unrelated fragments find themselves bouncing into this net, creating predetermined harmonies. Is a sadistic and perverse process but two years ago ,when was elaborated, I was leaving social networks and found it fitting well with idea of the Net I had developed. In this process the compositions starts on the piano and only later transposed in the synthesizer, where they be simplified, highlighting all the quirks and patterns behind arrangements. All pieces are composed in the quarantine period of April 2020 and that's why I found appropriate to reuse this formula.
The arrangement and sequencing techniques are almost the same used in Ailanto (Make Noise Tempi, PP and the first Renè). Since I used them years ago I immediately found them suitable for simple "pop" structures with four chords and a melody, which is kind of nonsense if you read Make Noise on every module. The voices are provided by a self built modular synthesizer with two Cem VCO, a discrete one and a STO, which is the main sonic link whit previous work.
Aronia by gimonti
As in the previous work Ailanto the goal is to force an instrument with virtually infinite possibilities into a net generated by tropos and cultural expectations. Potentially unrelated fragments find themselves bouncing into this net, creating predetermined harmonies. Is a sadistic and perverse process but two years ago ,when was elaborated, I was leaving social networks and found it fitting well with idea of the Net I had developed. In this process the compositions starts on the piano and only later transposed in the synthesizer, where they be simplified, highlighting all the quirks and patterns behind arrangements. All pieces are composed in the quarantine period of April 2020 and that's why I found appropriate to reuse this formula.
The arrangement and sequencing techniques are almost the same used in Ailanto (Make Noise Tempi, PP and the first Renè). Since I used them years ago I immediately found them suitable for simple "pop" structures with four chords and a melody, which is kind of nonsense if you read Make Noise on every module. The voices are provided by a self built modular synthesizer with two Cem VCO, a discrete one and a STO, which is the main sonic link whit previous work.
Aronia by gimonti
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